C320 Moonlight Sonata

Ridiculous?

Shen Yi really wanted to flip the piano on his face.

Even if it was a world-class concert, it was still a music score. You, an amateur piano level 9 exam, playing tricks on me?

Don't you think that you are the one who is ridiculous? Who gave you such a big face by using the pretense of being sanctimonious to suppress the examinees?

You are awesome, you are awesome. You can remember all the music scores? If you can do that, why haven't you ascended to heaven yet?

But Shen Yi still held back. Her fingers nimbly jumped on the piano keys and finally ended the practice with a heavy fall on the piano keys.

Shen Yi lowered her head. Her long hair fell behind her ears and covered her face tightly. It looked like she was depressed after being depressed.

Lillian and Qin Lang looked at each other and smiled without saying anything. Shu Yu still snorted coldly as usual and crossed her arms in front of her chest. Her expression of contempt seemed to have already foreseen Shen Yi's failure.

Shen Yi took a deep breath and moved her ten fingers slightly before pressing the keys again. Want to see me make a fool of myself? Don't want me to pass the level? I'm sorry to disappoint you!

Don't be surprised, don't be surprised, I am the candidate who remembers the music score!

"The first song, Beethoven's Moonlight Sonata, chapter three."

Lillian and Qin Lang sat up straight at the same time, stopped spinning the brush in their hands, and concentrated on listening to the music that was about to be played.

The 14th piano sonata, also known as "Moonlight Sonata," was divided into three movements. The third movement was the most difficult part of the entire sonata. It was an agitated and rushed piece, a minor C piece, a 4 / 4 beat, and a sonata style.

It had a very beautiful name and almost no famous piece was like this one. Because of the common name of "Moonlight," it was widely known by everyone in the world. The origin of "Moonlight" was varied, but most of it came from the German poet Ludovic Renershtubu, who described the first movement of the song, Just like a small boat swaying on the surface of the lake at the Glazed Forest Lake in Switzerland.

Beethoven himself also called this piece "like a fantasy song."

Therefore, what Shen Yi needed to express was the fantasy and rocking of the entire song.

The third chapter had an intricate structure and wonderful piano effects as well as enriching music content. The fast-paced melody contained all kinds of complex piano techniques. It expressed a kind of resentment and high fighting spirit. When it was close to the end, it was a continuous eight-point note with a resolute rhythm. It displayed passionate emotions and a strong will.

The slender fingers danced on the piano keys. The first syllable was a very moving rhythm, followed by a few heavy but not dull thuds, which immediately raised the fighting spirit of the entire piece.

The complex consonants and abnormal speed pushed the rhythm of the sonata to the climax bit by bit, like a small boat floating on a blue wave, rising and sinking. No matter how violent the storm was, it could not change his fighting spirit.

Close to 2 minutes and 30 seconds, the rhythm of the sonata slowed down for a short time. 40 points simply stopped, but when the crowd was not used to this kind of pause, another heavy blow came in 45 seconds!

Following that was another series of complex mutations. Ten fingers quickly flowed on the keys. It was smooth and crazy, natural and lively. This floating ship seemed to have a life of its own at this moment. It wanted to jump off, struggle, and soar from the radical torrent!

A short buffer was followed by a new round of change. The silence at the end was once again, three degrees, all for the sake of a more meaningful burst!